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About CML Mastering.

  

The [Carter Music] Lab is an ICB Productions, Inc. certified business. To learn how your organization or business can become ICB certified, visit ICB Productions at www.icbproductions.net.

The Lab

 

Located  in Miami, Florida, The [Carter Music] Lab is a mastering studio providing hi-end quality to artists who deserve pristine, beefy, competitive, and radio-ready songs alongside major label artists. CML also provides mixing services through its 16 channel Solid State Logic X-desk and NOS tubed compressors. CML also provides MIxing and Recording services.

 

The concept of mastering can be seen through the lenses of Dr. Deryl G. Hunt, sociologist and developer of The Ellison Model. The Ellison Model is a community building model that moves individuals, organizations, families – and in your case musicians – from diversity to unity to community.  The progression through each stage takes place in a clockwise rotation utilizing the tenants of caring, sharing, loving, honor, respect, and trust. The Ellison Model is multifaceted and can be incorporated in a variety of ways. For example, the songwriting and beat making stage may be seen as the point of diversity where a variety of lyrics and sounds are available. Upon completion of that stage, the song moves to unity through the recording, mixing, and mastering stage. Finally, the song builds community through radio play and distribution as consumers purchase the final product.

 

The Ellison Model serves as a springboard for a second concept called the GOMA/ABCD 7 Step Process. Goma stands for goal, objective, method and attitude.  ABCD stands for attitude, behavior, communication, and discipline. Both parts share attitude, as it is the pivotal point in shaping your behavior and communication as it relates to the outcome of your goal, objective, and method. Musicians, singers, rappers, engineers, songwriters, beat makers, producers, and executives can each use the Goma 7 Step process to assess and align their goals with their behavior and communication to ensure musical and poetic works are building an inclusive community of trust, respect, and honor. 

 

 

The Equipment

 

ANALOG

Solid State Logic SuperAnalogue X-Desk

elysia xpressor

elysia xfilter

Focusrite Mixmaster

ART Pro VLA II Compressor (NOS Tubes)

Blue Robbie Preamp

Presonus Studio Channel (NOS Tubes)

ART TPS II (Nos Tube) 

 

MONITORING

Yamaha HS50

Yamaha HS10 Subwoofer

 

WORKSTATION

Logic Pro X

Pro Tools X

 

CONVERTER

Apogee Rosetta 800

Cranesong HEDD

 

PLUGINS

Brainworx

Melodyne Celemony

PSP Audioware

Softube

Sonnox

Waves

 

MICROPHONES

Blue Kiwi

Mojave 201 Fet 

Shure SM57

 

 

The Engineer

 

In third grade I wrote my first poem, "Teachers, teachers are the meanest creatures." And I've been writing poetry and songs ever since. As an elementary and middle school student I placed first in the Theodore Gibson Oratorical Contest, a spoken word contest in which I always performed original works. At age 11 I began playing the drum set in church and later went on to be the first chair drummer of the Miami Carol Senior High School Jazz Band. I also marched for one year on second and third trumpet. I was also active in our middle school chorus,which I continued after transferring to another high school.

I began beat making in 2001 when I discovered Fruity Loops from a college friend. Coupled with Cool Edit Pro, I began producing, recording, and mixing music. In 2007, when asked to record and mix my church's album, I moved from being a hobbyist to making serious investments in advancing myself as a music producer and engineer. Since then I've worked with numerous local artists and churches as a recording, mixing, mastering engineer, producer, or all four as necessary. Of the many parts that makes a song do what it do, I find myself mostly drawn to mastering, songwriting, and mixing. Over the years I've had the opportunity to master or mix gospel, hip-hop, pop, rock, rhythm and blues, and spoken word and restore audio.

 

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